We decided to visit the Auckland Art Gallery and managed to see a retrospective of the paintings of Robert Ellis. Robert Ellis is one of New Zealand’s pre-eminent artists. He has held more than 60 solo exhibitions and innumerable group exhibitions in New Zealand and abroad. Over the past decades Robert Ellis’s paintings have addressed issues of New Zealand identity in which he draws together threads of European and Pacific cultures. These works make observations about the two cultural threads from a personal as well as social perspective. They combine European and Pacific images. Those deriving from the West include the horse, chair and chalice and medieval geometric designs. The Pacific imagery features the Ratana symbol and the koru while there are a number of others that cross boundaries such as the hand, the fish and the stars.” Because of his long career, we can identify three periods of his work, beginning with roads as boundaries, progressing to a deep awareness of the Māori culture and finally to a fusion of European and Polynesian symbols as seen in the work above.
The Denver Art Museum is one of the largest art museums between Chicago and the West Coast, with a collection of more than 70,000 works of art divided between 10 permanent collections including African, American Indian, Asian, European and American, modern and contemporary, pre-Columbian, photography, Spanish Colonial, textile, and western American art. In 1971 the museum opened the 24-sided, two-towered North Building by Ponti in collaboration with James Sudler Associates of Denver. On October 7, 2006, the Denver Art Museum nearly doubled in size when they opened the Frederic C. Hamilton Building which includes new galleries for its permanent collection, three temporary exhibition spaces, art storage, and public amenities. The entire museum complex totals more than 350,000 square feet. The 146,000-square-foot Frederic C. Hamilton Building, a joint venture of Daniel Libeskind and Denver-based Davis Partnership Architects in 2000, is situated directly south of the North Building. Libeskind's design, referential to the original Ponti building, recalls not only the mountain peaks that provide a powerful backdrop for the city, but the intricate and geometric rock crystals found in the foothills of the Rockies.
We ran into the Pompidou Center when we went to the Hotel de Ville for some supplies. Located in the district of Beaubourg on Paris' Right Bank, the Centre George Pompidou (or more simply, the Pompidou Center) is a factory-style structure that cuts a sharp contrast with the older, traditional buildings that surround it. It houses the Bibliothèque publique d'information, a vast public library, the Musée National d'Art Moderne which is the largest museum for modern art in Europe, and IRCAM, a centre for music and acoustic research. Because of its location, the Centre is known locally as Beaubourg. It is named after Georges Pompidou, the President of France from 1969 to 1974 who approved its creation (it was actually proposed by Charles DeGaulle), and was officially opened in 1977 by President Valéry Giscard d'Estaing. The Centre Pompidou has had over 150 million visitors since 1977.