For those fortunate few who view a King Vulture (Sarcoramphus papa) for the first time, the experience will be unforgettable. King vultures are one of the largest New World vulture, second only to condors. It is not their size however that is visually arresting, but their bright white feathers with a vividly colored head. Certainly early native Americans would have immediately sensed the singularity of this majestic bird and would associate it with a god-like presence in their jungle world. In fact in Mayan legends, the bird was seen as a king who served as a messenger between humans and the gods. They would have observed its habit of displacing smaller vultures from a carcass and eating its fill while they wait, thus warranting the crown of a king among fellow birds. This bird was also known as the “white crow” by the Spanish in Paraguay. It was called cozcacuauhtli in Nahuatl, derived from cozcatl “collar” and cuauhtli “bird of prey”. [Read more…]
I was at the Larco Museum in Lima, Peru and saw these beautiful ceramics and pots, which inspired me to research this interesting and influential culture. The Moche civilization (alternatively, the Mochica culture, Early Chimu, Pre-Chimu, Proto-Chimu, etc.) flourished in northern Peru with its capital near present-day Moche and Trujillo, from about 100 AD to 800 AD, during the Regional Development Epoch. While this issue is the subject of some debate, many scholars contend that the Moche were not politically organized as a monolithic empire or state. Rather, they were likely a group of autonomous polities that shared a common elite culture, as seen in the rich iconography and monumental architecture that survive today. Moche history may be broadly divided into three periods: the emergence of the Moche culture in Early Moche (100–300 AD), its expansion and florescence during Middle Moche (300–600 AD), and the urban nucleation and subsequent collapse in Late Moche (500–750 AD). Moche portrait vessels are ceramic vessels featuring highly individualized and naturalistic representations of human faces that are unique to the Moche culture of Peru. These portrait vessels are some of the few realistic portrayals of humans found in the Precolumbian Americas.