At the Larco museum they had a section devoted to Moche warfare and ceremonial human sacrifice. Flourishing on the north coast of Peru between 100 and 800 CE, the Moche created ceramic vessels richly decorated with detailed, fineline paintings that relate complex tales. The surviving ceramics provide a wealth of information about Moche society and iconography. Moche artists frequently depicted warriors and warrior activities, and hundreds of these depictions can be found in museums and private collections today. The combat they depict appears to be ceremonial rather than militaristic. There are no depictions of warriors attacking castles or fortified settlements, or killing, capturing, or mistreating women or children. Moreover, there is no portrayal of equipment or tactics that involved teams of warriors acting in close coordination. We see no regular formations of troops like Greek phalanxes, or siege instruments whose operation would have involved trained squads of individuals. Although there are a few depictions of two warriors fighting a single opponent, the essence of Moche combat appears to have been the expression of individual valor, in which the warriors engage in one-on-one combat. Only rarely were combatants killed; the goal appears to have been to capture the opponent for ritual sacrifice.