I have been meaning to expand my coverage of painters, particularly Flemish painters from the Dutch “Golden Age” and I have decided to begin with another of my favorites, Gerrit Dou (1613-1675). He created exquisite small, often dark paintings that often remind us of his contemporaries. These posts will cover paintings from multiple museums, rather than focusing on a single collection. After learning to paint from his father, a glass engraver, Gerrit Dou was apprenticed to a distinguished printmaker and glass painter, receiving additional formal artistic training from the Leiden glaziers' guild. At 15, he was appointed to the enviable position of apprentice in Rembrandt's studio, where he studied for six years. After Rembrandt left Leiden in 1631, his influence on Dou waned. Dou continued to paint on wood in a small scale but adopted cooler colors and a more highly refined technique characteristic of the fijnschilders (fine painters), a group of Leiden artists who painted small, highly finished pictures. Portraits in impasto gave way to domestic genre subjects (everyday scenes), enamel-smooth and rich in accessory details. These paintings are small, remember that you can click on any image in this website to enlarge them.